The Guardian
How Racial Tensions Shape Modern Soul Music
The Aw-Shucks Surrealism of John Prine
Lori McKenna: Making Magic Out of the Mundane
‘Country Music Has Become Apolitical’
Indie Country Takes on the Mainsream
Oxford American
You Don’t Know What You Mean To Me
Rolling Stone
The Ballad of Justin Townes Earle
This 1969 Music Fest Has Been Called ‘Black Woodstock.’ Why Doesn’t Anyone Remember?
Inside The Life of Brenda Lee, the Pop Heroine Next Door
‘Fighting To Be Heard’: The Story of the Black Country Music Association
He Gave Hip-Hop A Voice at The Grammys Before Being Fired. Ten Years Later, He’s Ready To Talk
He Scored The First Platinum Hit. 45 Years Later, His Family Is Fighting For Every Penny
Inside the Americana Genre’s Identity Crisis
‘Compensation, Healing and Closure’: One Man’s Quest For Reparations in the Music Business
Ron Louie: Remembering Music’s ‘Ideal Superfan’ Who Died From Coronavirus
Inside Country Music’s Uneasy Relationship With Gun Control
John Prine: A Never-Ending Christmas And an Aw-Shucks Smile
A Long Conversation With Rapsody About Writing Raps
How Americana Went Mainstream in the 2010’s
Why Jeff Tweedy Is Calling For Reparations In the Music Industry
How YouTube Reaction Videos Are Changing the Way We Listen
Lee Bains Would Like It If You Sang Along To This Next One
A Lost Soul Man’s Second Chance
Did Dr. John Actually Finish His Final Album Before He Died? Depends Who You Ask
“Old Town Road” and the History of Black Cowboys in America
The Existential Country-Soul Quest of Hiss Golden Messenger
Gillian Welch, Dave Rawlings Talk 20 Years Since Landmark Album ‘Time (The Revelator)’
Gillian Welch on How ‘Everything Is Free’ Became a Modern Classic in the Streaming Era
How Thousand Oaks’ Borderline Bar Became a ‘Safe Place’ For Las Vegas Survivors
Brandi Carlile Talks New Album ‘By The Way, I Forgive You’
Why Country Music Wanted Everyone To Get Along in the 2010’s
Ryan Adams’ Bad Behavior Was Hiding in Plain Sight in His Songs
Mason Ramsey: Inside the Curious Fame of ‘Lil Hank Williams’
Bettye Lavette on Interpreting Bob Dylan
Gaslight Anthem’s Brian Fallon Looks Back on ‘The 59 Sound’
Yola’s Fight For Roots-Rock Freedom
Candi Staton Isn’t About to Stop Now
Inside Swamp Dogg’s Existential Soul Opus
How Our Native Daughters Reimagine Folk Song Narratives
Inside Mavis Staples and Jeff Tweedy’s New Trump-Era Protest LP
Joan Baez Talks ‘New Way of Expressing Myself’ On First LP in a Decade
Inside Drive-By Truckers’ Controversial ‘American Band’
Inside the Dark Corners of Bob Marley’s Jamaica (RS 1219)
Ashley McBryde Talks ‘Girl Going Nowhere’
GQ
Luis Fonsi Celebrates The Year of “Despacito”
The Honky-Tonk Heart of Ashley Monroe
No Depression
The Many Lives of Candi Staton
An Interview With Joan Shelley
John Hartford Pilots a New Generation
Bitter Southerner
The Big Old Goofy World of John Prine
Josh Hedley: “I Am a Country Singer”
Pitchfork
Welcome to Blake Mills’ Weird World of Sound
Drive By Truckers: It’s Great to be Alive!
Margaret Glaspy: Emotions and Math
Rhiannon Giddens; Freedom Highway
Vulture
9 Great Behind-The-Scene Stories From Darlene Love, The Greatest Backup Singer Ever
Mavis Staples on her 12 Favorite Young(er) Singers, from Adele to Pharrell
The New New South
Sweet Home Everywhere
Maura
Newsweek
Entertainment Weekly
Brooklyn Magazine
Martha is Britain’s Best-Kept Pop-Punk Secret
William Bell on Making the Ballads That Made Him
Dave Cobb’s Southern Family Misses the Mark
Bandcamp
The Outsider Insights of Queer Country
Nashville’s Jessica Lea Mayfield Makes No Apologies
(Sandy) Alex G on Growing Up and Getting (A Little More) Serious
What Can I Help You With: Making Tapes With Cryptic Carousel
Vice
We Went to See the O-Town Reunion
Tyler Childers Is Making Hometown Folk Songs in Tune With the Universe
Village Voice
Hurray for the Riff Raff’s New York Story
How Julien Baker Learned to Embrace the Ugliness of Existence
Lucy Dacus Has Something to Say
American Songwriter
Phosphorescent: A New Glimmer (2018 November/December Feature)
Tift Merritt: Singing For Herself (2017 March/April Feature)
Randy Newman: Not Getting Worse (2017 Jan/Feb Feature)
The Singer Becomes The Song: The Transformation of Hayes Carll (2016 May/June Feature)
The Glad Tears of Aoife O’Donovan (2016 March/April Feature)
Josh Ritter: The Sound of Something True (2015 November/December Feature)
Houndmouth: Unruly Folk (2015 September/October Feature)
Iris Dement: The Letting Go (2015 September/October Profile)
Leon Bridges: The Dishwasher’s Dream (2015 May/June Profile)
Courtney Barnett: Quotidian Blues (2015 March/April Profile)
Patty Griffin’s Family Affair (2013 July/August Feature)
John Moreland: Substance Over Style (2014 March/April Profile)
Kacey Musgraves: Same Trailer, Different Park
John Prine: The Singing Mailman Delivers
Inside The Star-Studded Inside Llewyn Davis Concert
Jon Bernstein 